Sunday, October 19, 2008

Cogito Ergo Unsum

I've gotten a small wee teeny-tiny glimpse into an entire genre of fiction I never even knew existed: romantic erotic fiction (different than this). There are many writers doing this. Some of them are even making money selling eBooks. There seems to be an entire blogdom devoted to this genre, with blogs that cover the genre as well as blogs from individual writers.

It's not the kind of thing I'd read. I have no interest, for example, in fantasy books (despite the fact I think Patricia McKillip is one of the best writers of it and I love her writing, but I can't stop the fantasy elements from annoying me) and I rarely read SF now, either.

So all of my comments are from the point of view of the outsider.

Writer Ann Somerville left a Comment at this blog. I went to her blog and came across two posts: this one and this one.

The subject being one I addressed -- again -- in fury last night: Writers: Just Effing SAY It!

This being the Internet, I quickly went from link to link. Yeesh.

I came across a post by a publisher musing about the behavior of writers (and an infamous "morality clause" that's been inserted into contracts by one British dying dinosaur of print publisher).

I also came across a really bizarre post that seems to hold publishers responsible in a sleazy guilt-by-association way for the behavior of its writers. (But it also makes an on-target point about how ePublishers must have websites that inspire transactional confidence in potential buyers.)

And there were many other links that referenced past battles that have erupted in this writing culture.

But there was one post that lit the bulb over my dim head and put it all in perspective: The Erotic Romance & Epublisher Comparison blog (EREC) takes a look at publishers' sales figures.

Here is the problem:
The "average" in question is an arithmetic mean. So the average EC book is selling 796 books a year. I thought that was fairly clear but I live and learn. Whether that is enough for any given author is up to them once the info is made available.

And here's an explanation of the figures for ebooks out for a year or more from another reader:

EREC has received information on sales for 24 seperate EC titles.

Averaging out those sales for the 24 books (total number of all 24 titles sold divided by 24) equals, on average, an EC book sells 1206 copies in its first year.

That's not a market. It's a club!

I'm not disparaging it. I think it's great that writers have paying readers for their work. It underlines the point I made here and which I repeated here.

I call it a club because the number of readers is so small that everyone is bound to know everyone else. It's like a stifling small town in the midwest that intelligent young people grow up in, finally take a real look at, and then flee.

I think its writers must flee.

For those toiling in that field, take a look at this: Sony eBook Store: A $2.38 eBook!.

I bring up that point because sales on the Sony eBook Store are one way to go beyond the boundaries of a small town/club. Looking at its bestseller list illustrates that the audience isn't genre-heavy, but brick and mortar general bookstore-like. (Let me pre-empt one future Comment: Yes, I see the ePublisher. Yes, I see it's a member of The Club. Still: it's the Sony eBook Store.)

Flee. Get creative about marketing yourself and your work to places other than the expected. I first heard about William Gibson's Neuromancer -- shortly after its publication -- not from SF addicts, but from people who consulted in the technology field. And these people were not SF addicts (and, for a litmus test, regarded Star Trek as just another TV show; blasphemy, I know!).

There has to come a point in every life where an assessment is made of present surroundings and a decision has to be made: Do I continue to wallow here or do I get the hell out and take my chances?

Take your chances!

All of you must live near radio stations or TV stations or newspapers. Have any of you sent out press releases to them? Positioned yourself as any sort of authority on topics they might cover (cheating spouses -- hey, I know about that! fantasy lovers -- ditto! Sex on the Internet -- have I got tales to share!)? You must find a microphone outside of the The Club. It's the only way to attract readers and the only way to tell the moralistic groupies to go Fuck Off.

Let me tell you: This is work. Hard work. But every writer has to reach a point between books, when writing isn't being done. Or even burnout. Or the frightening writer's block. There is time to do This Hard Work.

It's a decision every writer who wants a career is going to have to make.

For all those writers out there feeling the press of a bluenose's thumb, make the decision to get out from under.
Your life is your life. Don’t let it be clubbed into dank submission.

-- Charles Bukowski

(Note: Writer Zoe Winters might disagree with some of the above.)

(Further note: Erotic fiction writer Mitzi Szereto went before a bigger microphone. Scroll down for MP3 of radio interview.)

Sony Reader Revolution Cam #9

I blame Gear Diary for this. They pimped the cam and now not only can't I get into store view any longer, sometimes street view gives me spinning arrows.



Yeah, I've been away for a while, but I have eight prior posts here about it! I should have like, you know, a special Mike Cane Priority Override. Or something. Ha!

Saturday, October 18, 2008

Sony Reader PRS-700: Key Issue

Sony Reader Model 700 Raises the Bar
Both the PRS-505 (with latest firmware) and PRS-700 fully support the PDF and EPUB standards, both open access and protected with Adobe ACS4 DRM, which means commercial eBooks can be purchased from hundreds of retailers and borrowed from thousands of public library systems. To me this is table stakes interoperability for a device worthy of my investment and attention. As a consumer, lock-in sucks. Sony has their own Connect eBook store, which they have been steadily improving, but I am not stuck with it as my only choice.

Emphasis added by me.

Let's see ... with the abominable Kindle you can

1) Buy eBooks from one store: Amazon

2) Borrow eBooks from zero public libraries

Yeah, but ain't that wireless worth being locked in and isolated on Amazon's Alcatraz?


The Sony Reader: For People Who Like To Read More


Kindle: Rhymes with Swindle!

eBooks: The Reality Of Plastic Logic

BBC News gave some PR love to Plastic Logic with an article and embedded video: The revolution of paperless paper

I reveal the secret FAIL of Plastic Logic in these pictures.


Ah, the rev-o-lu-tion-ar-y Plastic Logic Reader!


Why, notice how thin it is!


The plastic screen heart of it.


B-e-n-d!!!! Ha! Ha! Ha! Try that with an LCD!


Notice he does not likewise bend the framed screen!

Because that frame contains things that would break when bent: non-flexible circuit boards and a LiOn battery that will cause you grief if it rips open.

So yeah. A flexi-screen is a neat parlor trick.

But that's all it is.

Be prepared to stuff that ginormous thing in a similarly-ginormous carrying case that won't flex.

Reference: Free eBooks At Internet Archive

I keep forgetting about it!

The Internet Archive - Texts

Friday, October 17, 2008

eBooks: What Is Theft?

Web 2.0 Opportunities and Piracy!
The possibilities of the internet and our increasingly-connected culture can make a publisher’s eyes light up and can strike fear in his heart simultaneously. As we all know, the internet is a great tool for finding information, for connecting with other people, and now, in this “web 2.0″ world, for creating and sharing your creative endeavors, developing new communities, and connecting with friends and colleagues from all over the world.

It’s also a place where you can illegally download scanned versions of books (a la the last Harry Potter book that was leaked online days before arriving in stores), audiobooks, mp3s, movies, etc. Thanks to filesharing, one-click download sites, and other digital “pirates,” bascially anything you want you can find online for free.

To help give publishers advice on these wonderful/scary opportunities, the International Publishers Association hosted two panels today: “Online Book Piracy: Will the Internet Kill Publishing?” and “Preparing Publishers for Web 2.0.” It was interesting how well these two panels fit together in terms of viewpoint and overall tone, going from a more outraged and suspicious view of how the internet is stealing business, to a more optimistic look at the future of publishing in our digital age.

Here is The Point, publishers:
(I have to admit that I’m pretty suspect of all statistics on how much money is lost due to pirates. These figures seem to assume that people who “stole” a song or ebook would have bought that particular book or album if only the free downloadable version weren’t available. Which is pure rubbish and is why some publishers are experimenting with free downloads of their books.)

Emphasis added by me.

Never, ever think just because someone "stole" something electronically it automatically equals a lost sale!

As I've said over and over, there are eejits out there who simply collect. They'll never, ever get around to viewing or listening to or reading all the crap on their hard drive(s) or optical discs.

With eBooks, it's theft when they read it and intentionally decide not to pay.

And let me mention another side of theft.

Theft by publishers.

If you slather an onerous DRM onto your eBook or offer it DRMed in only one file format, I have no pity for you.

I can see the day is coming when people who bought eBooks in eReader and MobiPocket file formats will be abandoned.

ePub is the future.

But that future does not mean publishers will allow past paying customers the ability to format swap their paid-for eBooks.

In some cases that simply won't be possible.

Let's say Publisher A has offered Book Y in eReader and MobiPocket.

When Publisher A does ePub, however, extras are included.

This is now a new eBook, Book Z. Format-swapping will not be possible because of the additional material.

So will Publisher A offer the original eBook -- Book Y -- for format swapping? Not doing so is theft in my eyes. People are paying for the words, not the damned container.

And as for DRM, what happens when a vendor goes out of business and decides to shut down the DRM-unlocking? That controversy recently erupted with Wal-Mart and music. It can happen with eBooks too.

So before pointing fingers at people and crying Thief!, make sure you're not being one too, publishers!

Now At Twellow



Twellow is a great Twitter resource that UrmiRaj14 told everyone about.

I've claimed and verified my Profile there.

If you use Twitter, you should do likewise.